Cityscape 7; digital print; 12 x 27.5”; 2009.
Amna Ilyas, Pakistan
Anne Percoco, USA
Ariel Elizabeth Churnin, USA
Ciara Foster, Ireland
Charlie Grosso, USA
Christopher Manzione, USA
Chutima Kerdpitak, Thailand/UK
Elaine Woo MacGregor, UK
Erin Lee Benson, USA
Jacqueline Norheim, USA
Jessica Pezalla, USA
Jon Rajkovich, USA
Josianne Ishikawa, USA/Japan
Joshua Haycraft, USA
Leonardo Aguinaldo, Philippines
Lillian Pease, USA
Lisa Iglesias, USA
Liz Jeneid, Australia
Marilynn Derwenskus, USA
Mark Dilks, USA
Natasha Mell-Taylor, USA
Renata Szur, Hungary
Rinaldo Klas, Suriname
Terry Wise, USA
Wendy Morrison Painter, USA
Kilmer Shrines (Mossy), 20 x 30 inches, digital print, 2009.
Indra's Cloud; site-specific performance in Vrindavan, India;
plastic water bottles, plastic rope, boat; 8 x 6 x 14’; 2008.
Kilmer Shrines (Tennis Balls), 20 x 30 inches, digital print, 2009.
“I approach art making not as creating something completely new, but as reorganizing what is already there. I respond to my immediate surroundings, especially with regard to found materials. Each material has its own formal properties, which are just as important to me as its local, historical, and environmental resonances. In this way I treat found materials like artifacts, as things to be learned from.
Also for this reason, my work tends to be tactile and immediate, with a sensitivity to texture.
My artistic process is based in resourcefulness, curiosity,
responsiveness, and playfulness. I spend as much time exploring and researching as I do making. My site and community based work keeps me grounded, and I appreciate the challenges of learning from and communicating with a general audience. When making work for a gallery setting, I enjoy greater control and freedom. There is a place in mypractice for both ways of working and showing."
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